Christmas books for the Real Men on your list

The Wheatsheaf Literary Society hard at work on recommendations for your Christmas book list. It's a tough job but someone has to do it.

Still wondering what to buy the real man for Christmas?

Here is a list of manly books, read, discussed and recommended by members of the Wheatsheaf Literary Society. Of course, most real men are hoping for a bottle of peaty, stinky Lagavulin. But if you’re going to cheap out and go with a novel, these are fine.

 

A Fan’s Notes Frederick Exley

A Fraction of the Whole Steve Toltz

A Man in Full Tom Wolfe

A Sunday at the Pool in Kigali Gil Courtemanche

Barney’s Version Mordecai Richler

Billy Bathgate E.L. Doctorow

Blood Meridien Cormack McCarthy

Chump Change David Eddie

Dirty Sweet John McFetridge

Disgrace J.M. Coetzee

East of Eden John Steinbeck

Faceless Killers Henning Menkell

Factotum Charles Bukowski

Fight Club Chuck Palahniuk

Flaubert’s Parrot Julian Barnes

For Whom The Bell Tolls Ernest Hemingway

Getting Away With Murder Howard Engel

Gould’s Book of Fish Richard Flanagan

High Fidelity Nicolas Hornby

Huckleberry Finn Mark Twain

I Know This Much is True Wally Lamb

LAMB. The Gospel According to Biff Christopher Moore

Legends of the Fall Jim Harrison

Master and Commander Patrick O’Brian

Ninety-two in the Shade Thomas McGuane

Skinny Dip Carl Hiaasen

Still Waters Barry Callaghan

The Bishop’s Man Linden MacIntyre

The Englishman’s Boy Guy Vanderhaeghe

The Great Santini Patrick Conroy

The Long Goodbye Raymond Chandler

The Mambo Kings Sings Songs of Love Oscar Hijuelos

The Man Who Was Late Louis Begley

The Night Manager John le Carré

The Road Cormack McCarthy

The Rotters Club Jonathan Coe

The Sirens of Baghdad Yasmina Khadra

The Sportswriter Richard Ford

The Stowaway Robert Hough

The Things They Carried Tim O’Brien

The Van Roddy Doyle

Tropic of Cancer Henry Miller

Trout Fishing in America Richard Brautigan

Grammar Sucks

I recently downloaded Grammar Sucks: What to Do to Make Your Writing Much More Better by Joanne Kimes and Gary Roberts.  Should you?

This is a book for relative beginners. The authors make that clear.

Kimes is a comedy writer and she knows when to give the audience a break. There’s a lot of prodding and encouragement throughout the chapters, as though grammar really does suck. So, if you need a primer and you do think grammar sucks, this is probably worth the price of a download.

If you’re writing professionally or your job depends on good written communication, you probably know that grammar doesn’t suck, and you’ll have this basic knowledge, so you’ll find the first half of the book unnecessary. It’s just a basic review of the parts of speech.

Stacking it up to other books.

Grammar Sucks: What to Do to Make Your Writing Much More Better” is the most basic on a list of books that try to make grammar accessible.  But that’s OK if that’s what you’re after. For $12 bucks, you can stop writing like a spaz. That’s a pretty good deal.  

For a more advanced look at the parts of speech, I recommend When You Catch an Adjective Kill It by Ben Yagoda. This is an entire book devoted to parts of speech and just as entertaining. If you’re serious about improving your grammar, this is a good study and Ben’s a funny guy.

For a deeper look at sentence making, you can download How to Write a Sentence by Stanly Fish. This is targeted to fiction writers but there are style tips throughout that are universally applicable. 

One of the best style guides is still On Writing Well by William Zinsser. This is a classic because it sings the praises of simplicity and clarity. It’s a calming resource that gets you on track. (On my desk right now.)

And I’ve always liked the charming style of Eats Shoots & Leaves. This is well written and funny. My copy is full of highlights and dog-eared pages.  I think this is the one that most marketing people should own. A lot of the examples come from our trade.

Online, Grammar Girl has become my trusty go-to site for clear, quick and reliable answers to questions of grammar. 

Note that I receive no compensation and have no interest in promoting or not promoting any book. 

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How to Write a Sentence by Stanley Fish.

I liked reading ‘How to write a sentence‘. It’s on my iPad and made for good subway reading. This is definitely for the word nerds out there. If you aren’t directly responsible for writing, approving or editing copy, it might not be the most useful desktop resource.

But if you appreciate the craft or writing, there are some good tips for writers and readers. We sometimes forget that all the great lines in advertising, film and literature were written by someone just like us – someone who woke up to a blank sheet paper and tried to do something better, more original, more thoughtful.

The publisher’s blurb is below and you can always click on The Writer’s Bookshelf for more suggestions on great reads and influential books on the craft of writing.

Book description from Harper Collins: Some appreciate fine art; others appreciate fine wines. Stanley Fish appreciates fine sentences. The New York Times columnist and world-class professor has long been an aficionado of language: “I am always on the lookout for sentences that take your breath away, for sentences that make you say, ‘Isn’t that something?’ or ‘What a sentence!’” Like a seasoned sportscaster, Fish marvels at the adeptness of finely crafted sentences and breaks them down into digestible morsels, giving readers an instant play-by-play.

In this entertaining and erudite gem, Fish offers both sentence craft and sentence pleasure, skills invaluable to any writer (or reader). His vibrant analysis takes us on a literary tour of great writers throughout history—from William Shakespeare, Jane Austen, and Henry James to Martin Luther King Jr., Antonin Scalia, and Elmore Leonard. Indeed, How to Write a Sentence is both a spirited love letter to the written word and a key to understanding how great writing works; it is a book that will stand the test of time.

For anyone struggling with basics or aspiring to write with greater clarity, I recommend ‘When You Find an Adjective, Kill It‘.

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A wonderful first novel by Joshua Ferris.

‘Then We Came to an End’ has been out for a few years but its bullseye wit has not gone out of fashion. Anyone who has spent time in an advertising agency will laugh, cry or both. You’ll love it or hate it.

Here’s a little bit from the New York Times review when the book launched. You can read the entire content here.

It is a brave author who embeds the rationale for writing his novel into the novel itself. But 70 pages into Joshua Ferris’s first novel, set in a white-collar office, we meet Hank Neary, an advertising copywriter writing his first novel, set in a white-collar office. Ferris has the good sense to make Neary’s earnest project seem slightly ridiculous. Neary describes his book as “small and angry.” His co-workers tactfully suggest more appealing topics. He rejects them. “The fact that we spend most of our lives at work, that interests me,” he says. “A small, angry book about work,” his colleagues think. “There was a fun read on the beach.”

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Book design updates the gumshoe

Nice modern design for classic gumshoe.

The reissue of Ross MacDonald’s crime fiction comes with updated cover art that drags the gumshoe into the modern age without giving up the grit or soul of vintage detective fiction covers.

Nicely done.

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The writer’s bookshelf. Stuff Hipsters Hate

Stuff Hipsters Hate, Ulysses Press.

My brother-in-law (a far superior intellect) Mike McNeil gave me a copy of ‘Stuff Hipsters Hate‘ for Christmas. I’m loving this book but seriously wondering how he really feels about ME (and my super-cool John Varvatos casual wear).

Brenna Ehrlich and Andrea Bartz have created a great reading experience. It’s full of notes, illustrations, random thoughts and photos.

They are talented, funny and good writers. Love their style.

Here’s a backgrounder from the publishers site.

Based on the author’s popular tumbler blog stuffhipstershate, which has been called Depressingly astute by theThe New Yorker and Wickedly funny by The Frisky, comes the ultimate book on hipsterdom. From the dive bars of Brooklyn’s Williamsburg to the dirty alleys of San Francisco’s Mission, the urban hipster has redefined American cool with a sighing disdain for everything mainstream. Hipsters are easily identified by their worn-out shoes, fixies and PBR tallboys, but until now no one had investigated beyond the hipster look to the even more hilarious hipster psyche. With personally researched articles, revealing illustrations and helpful charts and graphs, Stuff Hipsters Hate exposes the bottomless well of impassioned scorn that motivates the ever-apathetic hipster, including: MATING AND SOCIAL HATES (buying you a drink | monogamy | texting back in a timely fashion), APPAREL AND GROOMING HATES (high heels | muscles | being asked about their tattoos) and WORK AND LIFE HATES (full-time jobs | knowing their bank balance | enthusiasm).

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If you received an e-reader or a bookstore gift card this Christmas, here are a few recommendations for winter reading. Many of these suggestions come from members of the barely famous Wheatsheaf Literary Society in Toronto.

A Fan’s Fare Adam Uxley

A Heartbreaking Work of Staggering Genius David Eggers

Billy Bathgate E.L. Doctorow

Blood Meridien Cormack McCarthy

Dirty Sweet John McFetridge (Toronto writer)

Disgrace J.M. Coetzee

East of Eden John Steinbeck

Factotum Charles Bukowski

Fight Club Chuck Palahniuk

For Whom The Bell Tolls Ernest Hemingway

Getting Away With Murder Howard Engel

Gould’s Book of Fish Richard Flanagan

High Fidelity Nicolas Hornby

I Know This Much is True Wally Lamb

Legends of the Fall Jim Harrison

Love in the Time of Cholera Gabriel García Márquez

Master and Commander Patrick O’Brian

Moby Dick Herman Melville (See “Why you should read Moby Dick“)

Skinny Dip Carl Hiaasen

Suttree Cormack McCarthy

The Great Santini Patrick Conroy

The Long Goodbye Raymond Chandler

The Mambo Kings Sings Songs of Love Oscar Hijuelos

The Man Who Was Late Louis Begley

The Night Manager John le Carré

The Rotters Club Jonathan Coe

The Sportswriter Richard Ford

The Stowaway Robert Hough

The Van Roddy Doyle

Tropic of Cancer Henry Miller

Trust Fishing in America Richard Brautigan

The Things They Carried Tim O’Brien

The Final Confession of Mabel Stark Robert Hough

The Unbearable Lightness of Being Milan Kundera

The General in his Labryth Gabriel García Márquez

The Road Cormack McCarthy


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Copywriting tip. Read a little Wolfe.

Book cover, Tom Wolfe, A Man in Full

It’s all about vampires and wolf-men now but Tom Wolfe’s last novel, ‘A Man in Full‘ is a reminder that a story well-told is still one of the best experiences we’ll have online and off.

Wolfe’s tale of a physically and egotistically bloated land developer is a long, embellished look at pre-recession big money. Just like the real-life bankers who showed up for their government bail-out funds in private jets, Wolfe’s protagonist lives large in upper-Atlanta society.

Anyone with clients in the financial service industry should read ‘A Man in Full’ for it’s wonderful, and humorous, look at how easy it is for anyone to make big mistakes with big money.

Synopsis*

The setting is Atlanta, Georgia-a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000-acre quail-shooting plantation, a young and demanding second wife-and a half-empty office complex with a staggering load of debt.

Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system. And back in Atlanta, when star Georgia Tech running back Fareek “the Cannon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.

Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates, the cast-off first wives of the corporate elite-Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious, and telling novel America has seen in ages-Tom Wolfe’s outstanding achievement to date.

Reviews*

“A book that defies you not to buy it.” -John Updike, The New Yorker

“Wolfe is a peerless observer, a fearless satirist, a genius in full.” -People

“Imagine Bonfire of the Vanities set in Atlanta: a star running back from the slums is accused of raping the daughter of a blueblood family even as Asian immigrants sneak into town and protagonist Charlie Croker, a football star turned businessman, tries to get out of debt.” -Library Journal

“. . . [A] massive, spectacularly ambitious, superbly observed, and ruthlessly funny novel . . .” -Mark Harris, Entertainment Weekly

“. . . A masterpiece . . . From the author of Bonfire we expect the brilliant jokes, the dead-on dialogue, the dazzling scene-setting that mark every page of his new novel. But now we get something more. Is it sympathy? Generosity? I’m not sure what to call it. But it is the difference between seeing the world in slices and seeing it in full.” -Andrew Ferguson, The Wall Street Journal

“It’s clear, almost from the start, that A Man in Full . . . is a big if qualified leap forward for Wolfe as a novelist. The cartoonish cast of Bonfire-a collection of physical and sartorial tics animated by heaps of authorial malice-has been replaced by characters who bear more of a resemblance to real, sympathetic human beings, and Wolfe’s novelistic canvas has expanded persuasively to include not merely the powerful and rich but also the poor and middle-class.” -Michiko Kakutani, The New York Times

A Man in Full is an expansive, energetic, ambitious, bumptious book, flawed in much the same way its predecessor was, but big in the same way, too. . . [L]ike The Bonfire of the Vanities it calls to mind the work of Dickens and the other great Victorians, embracing the whole gaudy array of human society; like The Bonfire of the Vanities it is the work of a determined and acutely perceptive reporter, a man who believes that fiction should engage the world rather than wallow in the psyche of its author, and who has done just that to singularly telling effect.” -Jonathan Yardley, The Washington Post Book World

“Here’s a prediction: People in the 21st century and beyond will be reading Tom Wolfe’s books-specifically The Right StuffThe Bonfire of the Vanities and his new novel, A Man in Full-to understand what crazed folks we Americans were as the millennium approached. Wolfe has our number in all matters-sexual, racial, political and economical . . . a big book that is a big triumph for Tom Wolfe.” -Deirdre Donahue, USA Today

“The novel contains passages as powerful and as beautiful as anything written-not merely by contemporary American novelists but by any American novelist. . . The book is as funny as anything Wolfe has ever written; at the same time it is also deeply, strangely affecting.” -The New York Times Book Review

* http://www.tomwolfe.com/ManinFull.html

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At the core of this great little book is a fundamental question: How do we create value? Charles Saatchi, like all great advertisers, knew how to create perceived value in the products his agency sold. He practiced the same basic formula that all of use to one extent or another. We turn features into benefits and hope to create a value proposition that’s powerful enough to influence choice.

This term “value proposition” shows up in most briefs north or south of “positioning” in the list of jargon. Value is, and always has been, the relationship between price and quality. At some price the bundle of a product’s rational and emotional benefits become worth it. But art is a different story.

The value of a painting is arbitrary. There’s no accounting for the cost of materials or the time spent in its creation. There is only the emotional and economic value assigned to a thing for it’s rarity. All technical aspects aside, all paintings are just canvas and coloured goo. What makes one worthless and another worth four hundred million is purely a matter of perceived value.

In ‘Artoholic‘, Saatchi answers questions about his life in advertising and his role in the art world. He denies, or a least downplays, his power as a rain maker but there’s no doubt that he’s a factor in the perceived value of the art that he collects or unloads. That’s what make the book so interesting.

See also: Charles Saatchi on Mad Men.

If you like this post, please comment.

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David Sedaris’s new collection of animal fables, 'Squirrel Seeks Chipmunk', brilliantly illustrated by Ian Falconer, highlights human foibles; Illustration by Ian Falconer. Image used with hopes that the artist won't mind.

I recently had the opportunity to see David Sedaris speak. He came to Toronto as part of a book-launch tour and sold out Massey Hall. If you’ve read his short stories you know that he’s gifted. His fans are loyal because he’s one of the best humorists writing today.

I’ve always been a fan without really wondering why?

When I saw him speak it came to me. What I love about David Sedaris is the honesty in his work. He’s a gay, jewish male who writes openly about his relationships with his family and the world. His stories feel real because they are. He’s not afraid to swear. He’s not afraid to talk about his own insecurities. He speaks freely about the people who freak him out.

Anyone aspiring to be a great writer needs to be familiar with this guy. A paragraph written by David Sedaris is a lesson in rhythm and comic timing. His work is proof that structure matters.

So here’s the lesson: As writers, creative directors and approvers, we’re conscious of so many filters (brand, legal, etc.) that it can be easy to overlook honesty. But in the digital/social space can anything be more important? What makes Sedaris such a fabulous writer is the same quality that can endear a brand to loyal users. Honesty is a powerful force and something that’s lacking in a lot of online content.

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