
Go to almost any review of Karel Funk’s work and it will sound the same. “Hyper this and hyper that.”
But this article in WMagazine does an excellent job of summing his approach. The detail on blue baseball cap is crazy great.
Anyone who has ever ridden the New York subway at rush hour knows the feeling of being pressed so close to your fellow commuters that you can see their every pore, shaving nick and flaking follicle. To artist Karel Funk, newly arrived in Manhattan from his native Winnipeg, Manitoba, in 2001, that proximity to strangers on a train proved overwhelming at first—then career changing. He’d been toying with suburban angst in his paintings but felt that route was already well traveled by others. In urban voyeurism, however, he knew he had found his ideal subject.
Read More http://www.wmagazine.com/artdesign/2010/03/karel_funk#ixzz1TKGvMp9J


















